Music & Concerts from My Perspective
Experimental R&B triple-threat Tinashe’s Nightride was the unexpected follow up to 2014’s Aquarius, after prepping for what we thought was the release of her highly-anticipated new album Joyride.
We were all wrong, but it was oh so right.
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The Altar – this year’s follow up to 2014’s Goddess – is a true emotional roller coaster – in the best way possible. Still dark. Still emotional. Still raw. What used to be conveyed with a whisper is now a shout – and she’s being blatantly honest about the psychological tirade that comes with simply being a woman with a broken heart.
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It’s finally here and I’m speechless.
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My favorite musicians on the planet have dropped yet another masterpiece. With their unparalleled honesty and consistency, these are the artists I can always relate to, and they prove the “quality over quantity” theory time and time again. Where do I even begin with Phantogram? I’ll spare you the lengthy version of our seven-year love affair and get right to it.
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This LP arrives four years after their last full-length album III, and after months of teaser singles. It manages to pack that classic CC punch, even with a running time of about half an hour.
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The one-time urban myth “Perfect Illusion” is FINALLY here, and as a long-standing lover of all things Gaga – I am feeling #blessed to get any new material from this woman at this point. Didn’t know what to really expect, but with a team of experts backing an expert – I knew it would be just fine.
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A 16-track electronic banger from start to finish. Even with tons of features from artists like Vic Mensa, Tove Lo, Vince Staples, Little Dragon, AlunaGeorge, Beck, and more – somehow there were just enough cooks in this kitchen and the results were delicious.
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